{"product_id":"leaves-of-grass-by-walt-whitman-book-price-in-bangladesh","title":"Leaves of Grass by Walt Whitman","description":"\u003ch2\u003e\u003cspan\u003eAbout Leaves of Grass by Walt Whitman – A Poetry Collection About Self, Nature, Democracy, the Body, Love, and American Life\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLeaves of Grass by Walt Whitman is one of the most important poetry collections in American literature. Whitman first published the book himself in Brooklyn in 1855. That first edition contained only twelve poems and a long preface. He then spent the rest of his life revising, expanding, rearranging, and republishing the collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBy the final 1891–1892 version, Leaves of Grass had grown into a large body of work containing hundreds of poems. Whitman treated the book almost like a living project. He added poems, changed titles, adjusted punctuation, moved groups of poems, and continued shaping the collection as he grew older.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe poems explore the self, the human body, nature, work, love, friendship, death, democracy, travel, war, spirituality, and the many kinds of people who make up a country. The style is direct, open, and very different from the strict rhyme and meter common in much nineteenth-century poetry.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhitman Wanted a New Kind of American Poetry\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman believed American poetry should sound different from older European traditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe wanted a voice that could include workers, travelers, city streets, farms, rivers, bodies, politics, love, and ordinary speech.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eInstead of relying on regular rhyme schemes, he often used long lines, repetition, lists, strong rhythms, and free verse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis gave his poems a speaking quality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSome lines feel like public speech. Others feel private and reflective. Many move quickly between the individual person and the larger world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor readers used to short, tightly rhymed poems, Whitman can feel unusual at first.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe best way to approach him is often to read slowly and listen to the rhythm of the sentences rather than search for a traditional rhyme pattern.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSong of Myself Is the Central Poem\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOne of the best-known works in Leaves of Grass is Song of Myself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe poem began in the 1855 edition without the title readers know today. Whitman revised and renamed it over time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is long, wide-ranging, and central to his idea of the self.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman moves between his own body, other people, nature, work, death, spirituality, and the shared experience of being alive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe “self” in the poem is not only one private individual.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt keeps expanding toward other people.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman often suggests that the boundary between one person and another is less fixed than it seems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is one reason the poem continues to be studied in literature courses and read by people interested in identity, democracy, and free verse.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eThe Body Is Treated as Worthy of Poetry\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman writes about the human body with unusual openness for his time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIn poems such as I Sing the Body Electric, he treats the body and soul as closely connected rather than placing one above the other.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe writes about men and women, movement, touch, physical labor, health, desire, and the ordinary details of human form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis direct treatment of the body made some nineteenth-century readers uncomfortable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt was also part of Whitman’s larger argument that poetry should include real human experience rather than only polished or socially approved subjects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModern readers should know that some poems contain open discussion of sexuality and physical desire.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eNature Appears Everywhere\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGrass, trees, birds, water, roads, stars, air, shorelines, and changing seasons appear across the collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eNature is not only decoration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman uses it to think about life, death, connection, growth, and time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGrass becomes especially important.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt can be ordinary and everywhere, but it can also suggest equality because it grows across different places without caring about social rank.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe natural world also helps Whitman move between very small details and very large ideas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA leaf, a bird, or a patch of grass can lead toward thoughts about the body, the nation, death, or the universe.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDemocracy Is More Than a Political Word\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman’s idea of democracy is connected with the value of ordinary people.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe writes about workers, sailors, mothers, children, farmers, drivers, laborers, soldiers, and people moving through cities and roads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe often tries to place different kinds of lives inside the same poem.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis does not mean his work answers every political problem fairly or perfectly.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman was a nineteenth-century writer with views that changed over time and can be debated today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHowever, Leaves of Grass repeatedly asks readers to notice people who might otherwise be ignored.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe collection tries to build a poetic voice large enough to include difference, variety, and shared human worth.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eLove and Friendship Have Many Forms\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLeaves of Grass contains poems about affection, companionship, desire, attraction, loyalty, and emotional closeness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSome of Whitman’s most discussed poems appear in the Calamus cluster, which focuses strongly on bonds between men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eScholars have long studied these poems in relation to sexuality, friendship, and Whitman’s personal life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe collection also contains poems about women, family, strangers, crowds, and the feeling of connection between people who may never know one another personally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman often treats love as something that can widen a person’s awareness of the world rather than only as a private romance.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eThe Civil War Changed Whitman’s Poetry\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe American Civil War had a major effect on Whitman.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe spent time in Washington, DC, visiting wounded soldiers in military hospitals and offering practical help, conversation, small gifts, and comfort.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis experiences during the war shaped Drum-Taps and later poems that became connected with Leaves of Grass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThese poems show a different side of his voice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe energy of earlier poems is still present, but war brings pain, injury, death, grief, and national division much closer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Wound-Dresser looks directly at care for injured soldiers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman also wrote major poems after the assassination of Abraham Lincoln, including When Lilacs Last in the Dooryard Bloom’d and O Captain! My Captain!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhitman Kept Revising the Book\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLeaves of Grass is unusual because there is no single simple version that represents every stage of Whitman’s work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Library of Congress notes that the first 1855 edition had twelve poems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman continued producing revised versions throughout his life, with the final 1891–1892 form often called the deathbed edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe added poems, changed titles, revised lines and punctuation, reorganized clusters, and altered the physical design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis means two books called Leaves of Grass can be quite different.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSome modern editions reproduce the original 1855 text. Others use the final version. Some combine several versions or add notes and introductions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCustomers should check the edition before buying if they need a particular text.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eThe 1855 Edition Is Important on Its Own\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe first edition was self-published in Brooklyn in 1855.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Library of Congress records it at ninety-five pages plus a portrait plate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman did not place his name on the title page. Instead, the book included a frontispiece image of him dressed more like a worker than a formal literary gentleman.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe first edition contained twelve untitled poems and a preface.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt was small compared with later versions, but it introduced the style and ideas that Whitman would develop for decades.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSome readers prefer this early version because it shows the original shape of the project before years of expansion and revision.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eThe Final Version Is Much Larger\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBy the end of Whitman’s life, Leaves of Grass had become a very different book.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Library of Congress describes the final form as a collection of almost four hundred poems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Walt Whitman Archive explains that the 1891–1892 version used the established arrangement of the 1881 edition while adding later material and minor revisions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModern publishers often reproduce this final authorized form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA current Vintage Classics paperback published in 2019 is 576 pages and reproduces the final version.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOther modern editions are much shorter or longer depending on whether they use the 1855 text, the final text, selected poems, annotations, or multiple versions.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAbout Walt Whitman\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWalt Whitman was born on Long Island, New York, in 1819 and grew up mainly in Brooklyn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe had limited formal schooling and worked as a printer, teacher, journalist, editor, and writer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBefore becoming known for poetry, he worked in newspapers and developed strong interests in politics, city life, public debate, and ordinary people.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe self-published Leaves of Grass when he was thirty-six.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDuring the Civil War, he spent years visiting wounded soldiers in hospitals around Washington.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAfter suffering a serious stroke in 1873, he eventually settled in Camden, New Jersey.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe died in 1892.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman is now widely regarded as one of the most influential American poets.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWho Will Enjoy Leaves of Grass?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLeaves of Grass is a strong choice for readers who enjoy classic poetry, American literature, free verse, nature writing, philosophical reflection, social themes, and books about identity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt can also be useful for students studying nineteenth-century literature, American poetry, democracy, the Civil War, sexuality, or the development of free verse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe collection is not a novel, so readers should not expect one continuous plot.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is better approached poem by poem.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSome pieces are short, while others are long and demanding.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eReaders who enjoy language, rhythm, observation, and ideas may find more in the book each time they return to it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eA Helpful Way to Read the Collection\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eNew readers do not need to understand every reference immediately. Start with a few major poems, read them aloud, and notice repeated images, sounds, and ideas. An edition with notes can help with historical references and older language. Returning to the same poem later often reveals connections missed during a careful first reading.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBook Quality at Bookish Wonderland\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBookish Wonderland offers this title with premium eye-soothing cream paper, crystal-clear printing, and high-quality stitched plus glue binding.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe cream paper supports comfortable reading, while clear printing helps preserve line breaks and makes longer poems easier to follow. Strong binding supports repeated reading, study, and shelf storage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe copy is suitable for personal reading, gifting, classroom study, poetry collections, or readers building a shelf of American classics.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhy Order from Bookish Wonderland?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBookish Wonderland delivers books across Bangladesh, including inside and outside Dhaka. Cash on Delivery is available nationwide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCustomers in Dhaka can also ask about fast or urgent delivery when available.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIf you are checking Leaves of Grass by Walt Whitman Book price in Bangladesh, it is useful to compare the edition, completeness, page count, and physical quality along with the listed price.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBook customization is also available. For stock, edition, customization, or delivery questions, contact Bookish Wonderland through Facebook or Instagram.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhy Readers Continue to Choose Leaves of Grass\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLeaves of Grass by Walt Whitman gives readers a large view of one poet’s changing thoughts about the self, the body, nature, democracy, work, love, war, death, and human connection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt can be read slowly, one poem at a time, without finishing the whole collection in one sitting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhitman’s long lines and free verse changed the possibilities of American poetry, while his habit of revising the book shows how seriously he treated it as a lifelong project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor readers who want a classic poetry collection that rewards rereading and offers many different themes, Leaves of Grass remains a useful place to begin with Whitman.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOrder your copy from Bookish Wonderland for nationwide delivery and Cash on Delivery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIf you require customization or have questions, please inbox us via FB or Insta.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Bookish Wonderland","offers":[{"title":"Paperback","offer_id":43731416940641,"sku":null,"price":186.0,"currency_code":"BDT","in_stock":true},{"title":"Hardcover","offer_id":43731416973409,"sku":null,"price":270.0,"currency_code":"BDT","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0619\/1788\/8609\/files\/Leaves_of_Grass_by_Walt_Whitman_in_BD.jpg?v=1789507122","url":"https:\/\/bookishwonderland.com\/products\/leaves-of-grass-by-walt-whitman-book-price-in-bangladesh","provider":"Bookish Wonderland","version":"1.0","type":"link"}